Very good paperback. Spine is uncreased, binding tight and sturdy; text also very good. Light shelfwear. Light crease to back cover. Ships from Dinkytown in Minneapolis, Minnesota. First edition. First Edition. A near fine book in a good dust jacket. Jacket has rubbing and small chips around the extremities. Sec 59D. New York: Bramhall House, Light brown cloth, black titles on spine, xvii, pp, 10 ill. Spine ends a bit rumpled, smells moderately of tobacco. Hard cover.
Fine in very good dust jacket.. Includes Illustrations. Includes original versons of the poem, Casey at the bat, by E. Bibliography: p.
Published : Bookseller: 2Vbooks. Potter, Inc. Spine ends and bottom corners bumped. Light foxing to edges of text block and endpapers. Spine sunned.
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Price clipped. The rest clung to that hope which springs eternal in the human breast; they thought, if only Casey could get but a whack at that — they'd put up even money, now, with Casey at the bat. But Flynn preceded Casey, as did also Jimmy Blake, and the former was a lulu and the latter was a fake, so upon that stricken multitude grim melancholy sat, for there seemed but little chance of Casey's getting to the bat.
But Flynn let drive a single, to the wonderment of all, and Blake, the much despised, tore the cover off the ball; and when the dust had lifted, and the men saw what had occurred, there was Jimmy safe at second and Flynn a-hugging third. Then from five thousand throats and more there rose a lusty yell; it rumbled through the valley, it rattled in the dell; it knocked upon the mountain and recoiled upon the flat, for Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped into his place; there was pride in Casey's bearing and a smile on Casey's face.
And when, responding to the cheers, he lightly doffed his hat, no stranger in the crowd could doubt 'twas Casey at the bat. Ten thousand eyes were on him as he rubbed his hands with dirt; five thousand tongues applauded when he wiped them on his shirt. Then while the writhing pitcher ground the ball into his hip, defiance gleamed in Casey's eye, a sneer curled Casey's lip.
And now the leather-covered sphere came hurtling through the air, and Casey stood a-watching it in haughty grandeur there. Close by the sturdy batsman the ball unheeded sped-- "That ain't my style," said Casey. From the benches, black with people, there went up a muffled roar, like the beating of the storm-waves on a stern and distant shore. Kill the umpire!
With a smile of Christian charity great Casey's visage shone; he stilled the rising tumult; he bade the game go on; he signaled to the pitcher, and once more the spheroid flew; but Casey still ignored it, and the umpire said: "Strike two. They saw his face grow stern and cold, they saw his muscles strain, and they knew that Casey wouldn't let that ball go by again. The sneer is gone from Casey's lip, his teeth are clenched in hate; he pounds with cruel violence his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go, and now the air is shattered by the force of Casey's blow. Oh, somewhere in this favored land the sun is shining bright; the band is playing somewhere, and somewhere hearts are light, and somewhere men are laughing, and somewhere children shout; but there is no joy in Mudville — mighty Casey has struck out.
Thayer said he chose the name "Casey" after a non-player of Irish ancestry he once knew, and it is open to debate who, if anyone, he modeled the character after. He had a personality that fans liked to cheer or jeer. After the season, Kelly went on a playing tour to San Francisco. Thayer, in a letter he wrote in , mentions Kelly as showing "impudence" in claiming to have written the poem. The author of the definitive bio of Kelly—which included a close tracking of his vaudeville career—did not find Kelly claiming to have been the author.
[PDF] The Annotated Casey at the Bat: A Collection of Ballads About the Mighty Casey/Third,
In , the magazine "Current Literature" noted the two versions and said, "The locality, as originally given, is Mudville, not Boston; the latter was substituted to give the poem local color. Sportswriter Leonard Koppett claimed in a article that the published poem omits 18 lines penned by Thayer which change the entire theme of the poem. Koppett said the full version of the poem takes the pitch count on Casey to full as his uncle Arnold stirs up wagering action in the stands before a wink passes between them and Casey throws the game. DeWolf Hopper gave the poem's first stage recitation on August 14, , at New York's Wallack Theatre as part of the comic opera Prinz Methusalem in the presence of the Chicago and New York baseball teams, the White Stockings and the Giants , respectively; August 14, was also Thayer's 25th birthday.
Hopper became known as an orator of the poem, and recited it more than 10, times by his count—some tabulations are as much as four times higher before his death. There are one or more Caseys in every league , bush or big, and there is no day in the playing season that this same supreme tragedy , as stark as Aristophanes for the moment, does not befall on some field.
On stage in the early s, baseball star Kelly recited the original "Casey" a few dozen times and not the parody. For example, in a review in of a variety show he was in, the Indianapolis News said, "Many who attended the performance had heard of Kelly's singing and his reciting, and many had heard De Wolf Hopper recite 'Casey at the Bat' in his inimitable way. Kelly recited this in a sing-song, school-boy fashion.
The set-up was that Penn Jillette would leap off his chair upon finishing the poem, releasing the rope which supported Teller, and send his partner to a gruesome death if he wasn't free by that time. The drama of the performance was taken up a notch after the third or fourth stanza, when Penn Jillette began to read out the rest of the poem much faster than the opening stanzas, greatly reducing the time that Teller had left to work free from his bonds.
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On July 14, , the jam rock band Furthur performed the poem as part of a second-set medley in center field of Doubleday Field in Cooperstown, New York. The first recorded version of "Casey at the Bat" was made by Russell Hunting , speaking in a broad Irish accent, in ; an cylinder recording of the text made for the Columbia Graphophone label by Hunting can be accessed from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library. DeWolf Hopper 's more famous recorded recitation was released in October In , Walt Disney released a recording of the narration of the poem by Jerry Colonna , which accompanied the studio's animated cartoon adaptation of the poem see below.
It has since been performed more than times by nearly every major and Metropolitan orchestra in the U. In , Dave Jageler and Charlie Slowes , both radio announcers for the Washington Nationals , each made recordings of the poem for the Library of Congress to mark the th anniversary of its first publication. A rivalry of sorts has developed between two cities claiming to be the Mudville described in the poem. Residents of Holliston, Massachusetts , where there is a neighborhood called Mudville, claim it as the Mudville described in the poem.
Thayer grew up in nearby Worcester, Massachusetts , where he wrote the poem in ; his family owned a wool mill less than a mile from Mudville's baseball field. However, residents of Stockton, California —which was known for a time as Mudville prior to incorporation in —also lay claim to being the inspiration for the poem. For the season, after the poem became popular, Stockton's team was renamed the Mudville Nine.
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The team reverted to the Mudville Nine moniker for the and seasons. Despite the towns' rival claims, Thayer himself told the Syracuse Post-Standard that "the poem has no basis in fact. The poem has been adapted to diverse types of media:. For a relatively short poem apparently dashed off quickly and denied by its author for years , "Casey at the Bat" had a profound effect on American popular culture.
It has been recited , re-enacted, adapted , dissected, parodied and subjected to just about every other treatment one could imagine.
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It was written in , and its first known publication was in the quarterly magazine The Speaker in June , under the pseudonym of James Wilson. Casey's team is down three runs by the last of the ninth, and once again Casey is down to two strikes—with the bases full this time. However, he connects, hits the ball so far that it is never found. Here is the original version of the poem:.